Semantics of the Church Image in the Spatiotemporal Worldbuilding of Short-story Collections by Nikolai Vasilievich Gogol†Evenings on a Farm Near Dikanka†and “Mirgorodâ€

  • Authors

    • Anna Pavelieva
    • Tetiana Kushnirova
    • Olena Dmytrenko
    • Nataliia Sherstiuk
    2018-10-13
    https://doi.org/10.14419/ijet.v7i4.8.27448
  • a church, a temple, space, locus, topos, worldbuilding.

  • Abstract

    The article deals with the peculiarities of churches’ depiction, semantics and functions of the church image in the cycles by Nikolai Gogol â€Evenings on a Farm Near Dikanka†and “Mirgorodâ€. In particular, there have been considered meaning-making, plot-creating, image-creating functions of the church image in the first Gogolian collected stories. The authors of the article have analyzed the place of the church in the spatiotemporal worlbuilding either of every tale separately, or of both collections altogether, comparing and contrasting the images of church in different stories. There have also been taken into account the allocation and role of the church in the human realm (as opposed to the space axes of the demoniac world), as a bastion of hope, the noise and colour saturation of the church space. This article also considers decline in sacredness, representation of the church as household, carnal and fleshy space as a symbol of the moral lapse, spiritual and moral fall of the characters, the deformation of their inner (spiritual) space. The church is examined as the key image of the short-story “Viyâ€. The peculiarities of representation of faith, different Christian traditions, various kinds of temples are explained in relation with the plot, the characters and the key motives of every tale.

     

     

  • References

    1. [1] Gogol N, Dead Souls, Translation by Larissa Volokhonsky, Richard Pevear. New York : Knopf Doubleday Publishing Group, (2007), 423 p.

      [2] Praskovina MV, â€Obraz granitsyi v «Vecherah na hutore bliz Dikanki» N. V. Gogolyaâ€, N. V. Gogol i narodnaya kultura. Sedmyie Gogolevskie chteniya : Mat-lyi dokl. i soobsch. mezhdunar. konf., (2008), pp: 275–280.

      [3] Lotman YuM, Hudozhestvennoe prostranstvo v proze Gogolya. O russkoy literature: Stati i issledovaniya (1958-1993). Istoriya russkoy prozyi. Teoriya literaturyi. SPb. : «Iskusstvo-SPB», (1997), pp: 621–658.

      [4] Bryusov VYa, â€Giperbola i fantastika u Gogolyaâ€, available online: http://az.lib.ru/b/brjusow_w_j/text_0280.shtml, last visit: 28.09.2018.

      [5] Nemirosvska OF, â€The chronotope of road in the genre of historical proseâ€, Mova, Vol. 10(28), (2017), pp: 82–88. doi:10.18524/2307-4558.2017.28.115849

      [6] Walker M, â€Bakhtin and Gogol, or, The Question of Allegory and the Politics of Carnivalâ€, The Yearbook of Comparative Literature, vol. 61, (2017), pp: 130–155. doi:10.3138/ycl.61.130

      [7] Gogol M. â€Influence of Deformed State Steady Steps to Distribute the Effects in the Systemâ€, International Scientific Journal “Internaukaâ€, vol. 1(11), (2017), pp: 26–31. doi:10.25313/2520-2057-1-11-2771

      [8] Ogourtsova VS, â€The Border between Reality and Fantasy in the Works of N. V. Gogol and V. I. Dalâ€, Izvestiya of Saratov University. New Series. Series: Philology. Journalism, vol. 17(4), (2017), pp: 413–418. doi:10.18500/1817-7115-2017-17-4-413-418

      [9] 김민아. â€V. Rozanov and N. Gogol: Gogol in the Context of Rozanov’s Literary Criticismâ€, Cross-Cultural Studies, vol. 45, (2016), pp:167–194. doi:10.21049/ccs.2016.45..167

      [10] The Gogol Problem: Perspectives from Absence. (n.d.). The Creation of Nikolai Gogol.
      doi:10.4159/harvard.9780674419292.c3

      [11] Wigzell F,â€Gogol and Vaudevilleâ€, Nikolay Gogol, (1989), pp: 1–18. doi:10.1007/978-1-349-19626-5_1

      [12] Vayskopf Mya, Syuzhet Gogolya : Morfologiya. Ideologiya. Kontekst, (1993), 592 p.

      [13] Hohol MV, Vechory na khutori bilia Dykanky; Myrhorod, uporiad. tekstu, avt. st. ta prym. V. Ya. Zvyniatskovskyi; il. S. H. Yakutovycha,. K. : Lybid, (2008), 488 p.

      [14] Esaulov IA, Spektr adekvatnosti v istolkovanii literaturnogo proizvedeniya («Mirgorod» N. V. Gogolya), M. : Ros. gosud. gumanit. un–t., (1997),102 p.

      [15] Bahtin MM, Formyi vremeni i hronotopa v romane. Ocherki po istoricheskoy poetike. Voprosyi literaturyi i estetiki. Issledovaniya raznyih let, M. : Hudozh. lit., (1975), 504 p.

      [16] Megela IP, Chelovek i mir v tvorchestve N. V. Gogolya, Novi hoholeznavchi studii: Nizhyn: TOV Vydavnytstvo Aspekt Polihraf, vol. 5 (16), (2007), 414 p.

      [17] Matsapura VI, Ukraina v russkoy literature pervoy polovine XIX veka, Harkov–Poltava : POIPPO, (2001), 396 p.

      [18] Turov Ya, â€Simvolicheskie obrazyi povesti N. V. Gogolya «Viy»â€, available online: http://www.proza.ru/2011/05/04/23, last visit: 28.09.2018.

      [19] Esaulov IA, Izobrazhenie dvuh tipov apostasii v hudozhestvennoy proze N. V. Gogolya («Mirgorod» i «MYortvyie dushi»). Kategoriya sobornosti v russkoy literature, Petrozavodsk : Izdatelstvo Petrozavodskogo universiteta, (1995), 288 p.

      [20] Kovalchuk OH, Hohol : buttia i strakh. Monohrafiia, Nizhyn: Vydavnytstvo NDU im. M. Hoholia, (2009), 127 p.

      [21] Denisov VD, Izobrazhenie kozachestva v rannem tvorchestve N. V. Gogolya, Monohrafyia, Symferopol; Kyev : OOO Vydavnytstvo Aspekt-Polihraf, (2005), 150 p.

      [22] Zolotusskiy IP, Smeh Gogolya, Irkutsk : Izdatel Sapronov, (2008), 416 p.

      [23] Gurevich AYa, Srednevekovyiy hronotop. Kategorii srednevekovoy kulturyi, M.: Iskusstvo, (1972), pp: 5–138.

      [24] Terts A. (Sinyavskiy A.) V teni Gogolya, M.: KoLibri, (2009), 672 p.

      [25] Tamarchenko ND, Hudozhestvennoe vremya, prostranstvo, sobyitie. Teoriya literaturyi. V dvuh tomah. Tom 1. Teoriya hudozhestvennogo diskursa. Teoreticheskaya poetika: Uchebnoe posobie, M. : Akademiya, (2004), pp: 179–186.

      [26] Krivonos VSh,â€Mifologiya mesta v uezdnyih istoriyah V. Odoevskogo i Gogolya N. V. Gogol i ego literaturnoe okruzhenieâ€, Vosmyie Gogolevskie chteniya: Sb. dokl. Mezhdunar. nauch. konf., M.: ANO «Festpartner», (2008), 304 p., pp: 177–186.

      [27] Frendenberg OM, Poetika syuzheta i zhanra. [Podgotovka teksta, spravochno-nauchnyiy apparat, predvarenie, posleslovie N V. Braginskoy], M.: Izdatelstvo Labirint, (1997), 448 p.

  • Downloads

  • How to Cite

    Pavelieva, A., Kushnirova, T., Dmytrenko, O., & Sherstiuk, N. (2018). Semantics of the Church Image in the Spatiotemporal Worldbuilding of Short-story Collections by Nikolai Vasilievich Gogol” Evenings on a Farm Near Dikanka” and “Mirgorod”. International Journal of Engineering & Technology, 7(4.8), 725-730. https://doi.org/10.14419/ijet.v7i4.8.27448

    Received date: 2019-02-15

    Accepted date: 2019-02-15

    Published date: 2018-10-13