Redesigning the Borobudur chair to sustain local creative industries: introducing to wangun concept

  • Authors

    • Rahmanu Widayat Sebelas Maret University of Surakarta
    2020-04-28
    https://doi.org/10.14419/ijet.v9i2.30408
  • Creative Industry, Wangun Concept, Borobudur Chair, Redesign.
  • Abstract

    Redesigning the already existed thing is a common practice in the world of design. This study objectively conducted to produce a fresh new look and commercially bargaining product of furniture in addition to pursue current aesthetic needs. This study focuses on reconstructing the Borobudur chair, a typical form of chair inspired from the 8th century Borobudur temple reliefs, which theoretically does not follow modern art. This proposes a traditional conceptual approach called wangun (beauty) inspired by the wisdom of local Javanese culture, which is termed as Ngowahi Rupa (the change of form). Ngowahi Rupa does not change the 'inner structure' of an object, the changes occur only at the 'outer structure' level. There were two distinctive chairs being redesigned in this study, the first type of chair can accommodate one person only, and the other accommodates three people. Both types of chairs constitute of a complete structure of chair such as the legs, seat stands, and backrests, which in the sense of wangun conceptually termed telu-teluning atunggal. The Ngowahi Rupa furniture making process not only demands visual aspects, but also the concept of the creative industry. The concept was applied in redesigning the Borobudur chair that synergically in accordance with the rapidly developed creative industries in Indonesia. The results of redesigning the old-type of chair objectively contribute to the advance of current furniture industry and trend, both in Indonesia and abroad, in addition to maintaining the excellence of the creative industry with regard to the economic concern.

     

     

  • References

    1. [1] Ahimsa-Putra, Heddy Shri. (2001). Strukturalisme Lévi-Strauss Mitos dan Karya Sastra. Yogyakarta: Galang Press.

      [2] Andrianou, Dimitra (2006). Chairs, Beds, And Tables Evidence for Furnished Interiors in Hellenistic Greece. The American School of Classical Studies at Athens, Hesperia, 75 (2006), pp. 219-266. Retrieved from: http://www.ascsa.edu.gr/pdf/uploads/hesperia/25067984.pdf. https://doi.org/10.2972/hesp.75.2.219.

      [3] Bordegoni, M., Cugini, U & Covarrubias, M. (2010). “Design and assessment of a 3D visualisation system integrated with haptic interfacesâ€. Journal of Design Research, (8), 3, 2010. https://doi.org/10.1504/JDR.2010.032608.

      [4] Church, Simon, (Oct 7, 2014). "Replica Le Corbusier Chaise Longue LC4â€, Retrieved: www.youtube.com/watch?v=MG-6RQDCd1I

      [5] Dan Howarth, (August 17, 2015), “Postmodern Design: Queen Anne Chair by Robert Venturi and Denise Scott Brownâ€. Retrieved from: www.dezeen.com/2015/08/17/postmodern-design-queen-anne-chair-robert-venturi-denise-scott-brown-knoll/.

      [6] Djelantik, A.A., (2004), Estetika Sebuah Pengantar. Bandung: Masyarakat Seni Pertunjukan Indonesia bekerja sama dengan Arti.

      [7] Garrido, JR., León, EH., Sandoval, BF., Newman, MA. (2018). Learning and Experience: Aesthetics of Multimodal Texts in Higher Education. Digital Education Review, (33), June 2018. Retrieved from: https://files.eric.ed.gov/fulltext/EJ1183707.pdf.

      [8] Geertz, C. (1973). The Interpretation of Cultures. New York: Basic Books.

      [9] Heinz, Frick. (1997). Pola Struktural dan Teknik Bangunan di Indonesia. Yogyakarta: Kanisius dan Semarang: Soegijopranata University Press.

      [10] Harmaen, D. (2016). The Growth of Indonesian Aesthetic Value of Kriya (Handicrafts) in the 21st Century. Journal of Social Science Studies, (3), 2, 2016. https://doi.org/10.5296/jsss.v3i2.8586.

      [11] Kaplan, D. & Manners, A.A. (2002). Teori Budaya, (terj. Landung Simatupang). Yogyakarta: Pustaka Pelajar.

      [12] Miles, MB., & Huberman, AM. (1994). Qualitative Data Analysis: An Expanded Sourcebook. California: SAGE Publlication, Inc.

      [13] Mols, Stephan. (2008). Ancient Roman Household Furniture and Its Use: From Herculaneum to the Rhine. AnMurcia Journal, 23-24, pp. 145-160, retrieved from: revistas.um.es/apa/article/viewFile/178081/149581.

      [14] Muhadjir, Noeng. (2000), Metodologi Penelitian Kualitatif, Yogyakarta: Rake Sarasin.

      [15] Sedyawati, Edi. (2008). Keindonesiaan dalam Budaya, Buku 2, Jakarta: Wedatama Widya Sastra.

      [16] Susanto, Mikke, (2012). Diksi Rupa Kumpulan Istilah dan Gerakan Seni Rupa. Yogyakarta: DictiArt Lab & Djagad Art House.

      [17] Sutopo, H.B., (2002). Metode Penelitian Kualitatif. Surakarta: Sebelas Maret University Press.

      [18] Sutrisno, M., & Putranto, H. (2005.eds). “Pendahuluan: Apa itu Kebudayaan? Mengapa Membahasnyaâ€, dalam Teori-teori Kebudayaan. Yogyakarta: Kanisius, pp. 7-17.

      [19] Tim Penyusun. (2012). Adegan dan Ajaran Hukum Karma pada Relief Karmawibhangga, Magelang: Balai Konservasi Borobudur.

      [20] Tim Penyusun, (1996). Kamus Besar Bahasa Indonesia. Jakarta: Balai Pustaka.

      [21] Vesajoki, Funlayo (2002). “The Effects of Globalization on Culture A Study of the Experiences of Globalization among Finnish Travellersâ€. (A Master Thesis). University of Jyväskylä Department of Ethnology Jyväskylä.

      [22] Widayat, R. (2010). Kumpulan Istilah Desain Interior, Surakarta: FSSR Publishing.

      [23] Widayat, R., et al. (2015). Rekonstruksi†Kursi Borobudur†(Untuk Menunjang Industri Kreatif), Penelitian Unggulan Perguruan Tinggi (PUPT) Tahap I, Fakultas Seni Rupa dan Desain, Universitas Sebelas Maret Surakarta.

      [24] Widayat, Rahmanu, et al. (2016). Rekonstruksi†Kursi Borobudur†(Untuk Menunjang Industri Kreatif), Penelitian Unggulan Perguruan Tinggi (PUPT) Tahap II, Fakultas Seni Rupa dan Desain, Universitas Sebelas Maret Surakarta.

      [25] Widayat, Rahmanu. (2016). Estetika Barang Kagunan Interior Dalem Ageng di Rumah Kapangeranan Keraton Surakarta. (Disertation).Program Pascasarjana Institut Seni Indonesia (ISI) Surakarta.

      [26] Widayat, Rahmanu; Studyanto, Anung B.; and Sholahuddin, (2015). Design Developmentâ€Borobudur Chairs†An Opportunity In Creative Industry, Proceeding (2nd edition) International Conference on Creative Indistries (ICCI) 2015â€. Opportunity and Challenge of Creative Industries in The Era of Global Free Trade. Surabaya: ITS Press, page 195-200.

      [27] Widayat, Rahmanu; Studyanto, Anung B.; and Sholahuddin, 2016. The Reconstruction of Borobudur chairAn Indonesian Culture Heritage, Conference Proceeding 2nd International Conference on Creative Media, Design & Technology (REKA 2016), Penang: School of The Arts, Universiti Sains Malaysia, 11800 USM, pp. 387-393.

      [28] Widayat, Rahmanu & Studyanto, Anung B., (2018). Exploration of Design Development Borobudur Chair with The Aèng Method (strange), Proceedings of the 4th Bandung Creative Movement International Conference on Creative Industries 2017 (4th BCM 2017), Amsterdam: Atlantis Press, page 160 -163. https://doi.org/10.2991/bcm-17.2018.29.

      [29] Widayat, Rahmanu & Studyanto, Anung B., (2018). Aèng Visual Ornament of The Surakarta Palace’s Building, Proceedings of the 4th Bandung Creative Movement International Conference on Creative Industries 2017 (4th BCM 2017), Amsterdam: Atlantis Press, page 335-339.

      [30] Zaman, Biranul Anas. (2012). “Jurus Cendekia dalam Industri Seni Menyiasati Ekonomi Kreatif-Seni-Pariwisataâ€, Artikel dalam Prosiding Seminar Nasional Perguruan Tinggi Seni Dalam Era Ekonomi Kreatif-Program Pascasarjana ISI Surakarta. Surakarta: ISI Press.

  • Downloads

  • How to Cite

    Widayat, R. (2020). Redesigning the Borobudur chair to sustain local creative industries: introducing to wangun concept. International Journal of Engineering & Technology, 9(2), 458-463. https://doi.org/10.14419/ijet.v9i2.30408

    Received date: 2020-02-12

    Accepted date: 2020-04-04

    Published date: 2020-04-28